Hepta Ra Shamanism

Born out of Chaos, Hepta Ra Shamanism is a spiritual practice that uses magick to heal the 4 Subtle Bodies (Soul) of the practitioner and enact beneficial change throughout the 4 Qabalistic Worlds Atziluth, Briah, Yetzirah, and Assiah. This is achieved by way of practical/chaotic application of the Hermetic Qabalah, Qabalistic Reiki, Choronal Enochian, Natural Magick, Astral Magick, and Planetary Magick.

Overall

A near-square plate. The ground is a saturated, heavily grained green field (speckled texture throughout, consistent with a colour-processed scan); all linework is rendered in magenta/pink edge-glow strokes — the exact complementary colour of the ground, so the drawing optically shimmers against it. Superimposed on the hand-drawn linework are digitally added light flares. The composition is a single great seven-fold star centred on a ringed disc bearing a bold interlocking glyph.

The Star and Its Planets

A large seven-pointed star (heptagram) dominates the plate: seven elongated triangular rays whose edges are drawn with doubled/tripled parallel strokes, interlacing where they cross — the acute, interlaced construction ({7/3} style [?]). Each ray’s field carries one classical planetary symbol, hand-drawn:

• Apex (top): Sun ☉ — circle with centre point, enclosed in a drawn ring
• Upper right: Venus ♀
• Right: Mercury ☿
• Lower right: Moon ☽ — a large crescent
• Lower centre-left: Saturn ♄
• Left: Jupiter ♃
• Upper left: Mars ♂

Read clockwise from the apex, the rim order is Sun – Venus – Mercury – Moon – Saturn – Jupiter – Mars: the Chaldean order of the planets arranged around the circle — the classical construction from which the planetary week is derived by tracing the heptagram’s own lines. Small supplementary marks sit beside some symbols (possible planetary seals or hour-characters [?]).

The Lights

Seven coloured flares are placed at stations around the star, with an eighth at the centre:

• Two white-violet starbursts at the upper vertices, flanking the apex
• Red-orange at the left vertex
• Cyan-white at the right vertex
• Yellow-orange at the lower left
• Green-white at the lower right
• Bright yellow-white at the bottom centre
• A golden-white glow at the plate’s exact centre, upon the glyph

Seven lights about a golden centre. The palette reads as a planetary colour scheme keyed to the stations [inferred], though the plate itself does not label the correspondence.

The Central Disc

The star’s rays converge on a double-ringed circular disc. Within the ring-band, characters appear at intervals. At the top of the band, between the capitals “B” and “A”, stands a Chi-Rho (☧); the remaining interstitial symbols are Reiki symbols of Onael’s lineage (Blue Lotus/Usui). The individual Reiki symbols are recorded here at class level and deliberately not transcribed, consistent with lineage discretion.

At the centre of the disc stands the plate’s principal emblem, identified from the maker’s process notes as the Antahkarana healing symbol: the cube-form figure bearing three angular seven-shapes arranged pinwheel-fashion about its centre, drawn with the same doubled strokes as the rays. The golden central flare sits upon the figure’s heart.

An earlier pass described the form as two interlocked meander-strands; corrected here — the strands are three, on a cube. The correction trail is retained rather than quietly overwritten.

Ground and Style

A hand-drawn, lettering-free composition aside from the ring characters noted; no captions or titles on the plate itself. The complementary magenta-on-green scheme causes sustained optical vibration — the plate flickers when viewed, an effect consistent with the practice’s stated language of “resonate vibration.”

Commentary

1. The genre is named precisely. A segulah (Hebrew: “treasured thing,” Exodus 19:5’s am segulah) is, in the practical-Kabbalistic register, a protective or healing charm — the segulot ve-refu’ot (“charms and cures”) literature. A hand-made planetary charm titled “Healing Segula” sits knowingly in that genre.
2. The rim is the week’s engine. Planets in Chaldean order around a heptagram is the classical device relating the order of the spheres to the order of the days — the seven-station wheel that Hepta Ra Shamanism’s own name announces: seven, crowned by the Sun at the apex, with a golden light at the heart. The image performs its name: seven lights, one Ra. And note who is seated in the healing wheel without prejudice: Saturn, the boundary-keeper, one station among seven — the seal included in the medicine. Integration over purity, drawn in 2014.
3. The centre is the Antahkarana — and the identification improves every earlier reading. The name first: Sanskrit antahkarana means “the inner instrument” — Vedanta’s fourfold inner faculty; in the Bailey stream, the rainbow bridge built between the lower self and the soul. The centre of the 2014 healing charm is a symbol whose literal name is the instrument. The form second: not two strands but three — and three is the braid’s true minimum, since two strands can only twist where three braid — matching the Shem HaMephorash’s three-verse boustrophedon, the three pillars, and the suffix conjugation. The solid third: the figure is drawn on a cube — the tradition’s alphabet-bearing body, since the Sefer Yetzirah’s Cube of Space assigns all 22 letters to it (3 mother-axes, 7 doubles at faces and centre, 12 simple edges). A 22-letter solid at the centre of the charm, twelve years before the 22-letter Anti-Alphabet. The cube family also holds the devir — the Holy of Holies, a perfect cube — and the Ka’ba, the black cube circled seven times in tawaf, the other great seven-circuit rite beside Jericho’s. The lore fourth: the three sevens are glossed in the healing literature as the seven chakras, colours and tones — triple seven at the heart of the seven-star — and the symbol is held to work without attunement: the one un-gated symbol in the kit, a threshold that enforces nothing. [readings]

   Provenance, on the honest ledger. The word is ancient — Sanskrit, Vedantic; the Bailey bridge-usage is early twentieth century; the geometric glyph’s circulated claim of ancient Tibetan use is undocumented. The symbol as drawn is a modern reception wearing a legendary pedigree, transmitted through the same twentieth-century channels as the Reiki symbols beside it on the ring. Filed, therefore, exactly as this archive files everything: received, worked, real as function, [?] as history.

4. This is a master mandala. One synoptic wheel holding the system: planetary stations, timing order, colour stations, central emblem. Read beside the red body-plate — the microcosm map — the practice’s founding diptych is complete: segula created 2014, the pair published together in 2020. Body and wheel, anatomy and astronomy.
5. The ring, glossed. Read across the crown: B — ☧ — A. BA is the Egyptian word for the soul — the traveling soul-bird — which would set, in a soul-healing charm by the founder of Hepta Ra Shamanism, Ra at the apex and the Ba in the ring: sun above, soul within, with Christ’s monogram placed between the soul’s letters. [reading]
6. The Chi-Rho itself, in the plate’s own glyph-grammar: Chi is the crossing-letter — chiasm is named for it, which means the liturgy’s eventual structure (A’ATH … ZA’AX … ZA’AX … A’Shah) is named after the letter crowning this 2014 charm — and Rho is a ring borne on a staff: crossing plus ring-on-line, the system’s later vocabulary already present as monogram. Two older jobs of the sign are worth the margin: Constantine’s received glyph before the Milvian Bridge, and, older still, the Alexandrian scribes’ chrēston mark — the marginal Chi-Rho that meant “this passage is worth keeping.” The archivist’s keep-flag, seated at the crown of the healing wheel. [reading]

Below are images of some of the core symbolism used when working magick, including creating thoughtforms.